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  • (1)
    The PB version of the tune GoodBye Pork Pie Hat, wow, that is great, but I was given another version by Charlie Mingus' sideman: Larry Coryell, and it sounds superb to merge the two; as a collaborative improvisation we could call it 'Hello Again Young Lester'. I propose that some of the community here mix the two. I could not read many of the chords on the video, so perhaps someone has a diagrammatic sheet with the chords as an RTF doc. I can photocopy and send PB or someone else mine. I think it best to just keep it personal because the sheet is unpublished. My own sheet is written in a very simple way with chord boxes and incidental notes marked in brackets. This would be a highly useful task if we were to collaborate on skype for example, and do some jamming sessions with these topics at hand to collaborate on composition and inprovisation. If we put together the Jonie Mitchel number with these, a rewrite of the lyrics could be a good excercise in a joint composition with scat singing as the informal guideline. One more detail is that the piece I play has both the melody and accompanyment so this os going to look great for when Herbie has a look into these things.
    2)
    I would really appreciate it is someone were to outline some of the main chords on Paco's Zhgyb, or Cava de Gato, because similarly, looking at Paco's hand even closely a guitarist would have difficulty in imagining what notes he was playing.

  • The Wizard of Shred and all of those clowns......DateTue Dec 23, 2014 9:00 am

    Thanks for the ref. to Shawn Lane, I never have heard of him, but it seems he is one of that mindful family.

  • Thank you for feedback: In order to further the proposals made H.H. would be one person among other mainstream pioneers who share those aspirations to go on promoting mindful culture of music and especially inspirational lyrics as a project as serious as the human genome. I already had an illuminating one-to-one philosophical discussion with him years ago, and so developing what I mention would be entirely relevant for such players to have input into as an online research and development facility. All his present diverse initiatives are of such complementarity. This serves as a technical answer to your question.

  • I specifically seek ways of collaboration to promote the nurture of a music-genre pioneered by John McLaughlin, from orientations of mindful culture as an inner-science of sound. In this are onlines for an online international-project proposed to facilitate collaboration in building an online recording studio that could first develop and compile McLaughlin-type synth-patches for players to use (I use a GR-55, flamenco guitar, and tablas), A team is sought in order to build such communal resources. I have also been in touch with Herbie Hancock who might also participate, providing a team of voluntary members can be brought together in further networking on this. The proposed facility would also act as an agency for linked projects and all kinds of coordinative opportunities would be available to such a music community. As usual, follow-up communications and research-work is needed. The project is large enough to be functional for voluntary input at university-level so people willing give time for that vision-quest are welcome to converse with me. I find both flamenco and McLaughlin extremely difficult, although the basics he has laid down I believe are most beneficial for beginners methods to be configured out of that. I hope these proposals will also benefit the complement the guiterist who is the founder of this site and his empathetic mastery of this music

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