I always confuse Davey Graham and Bert Jansch in my head. Very similar in style and era.
John Martyn's another guy I think of with them...he's a bit later and not exactly the same style, but another British finger-picker that's not super well known. You may know of him, but if anybody's lurking on this thread, they would probably like him!
Yeah Bert Jansch is great...it just so happens that the version I learned is Page's :)
I know he was a hero to a lot of guitarists from that generation. I've learned a few of his songs by proxy...for example I learned the Paul Simon version of Anji.
I think the one song I have learned his version of is "Blues Run the Game," and that's not even his, haha.
Thanks so much for taking the time to check these out! I know it was a big dump of videos.
I'm definitely going to try to work in the 1234-1234-1234 kinda' patterns for chromatic patterns.
I'm definitely backing some tempos down to gain more control then working back up. It's cool looking at this even a week later because I already feel like I have much better control than when I posted these videos! I think I'm going to try to post these every other weekish, if only to track my own progress!
I just noodled a bit...it's a little rough and sound's not great, but maybe it'll give people a couple ideas. I learned Zeppelin's Black Mountainside a long time ago, and the bits-and-pieces I remember are (crudely) in there. There's another little thing from a song I wrote ago with some cool descending lines, although you'll see I also kinda' forget some of that stuff, too, haha.
Anyways, DADGAD's cool for droney stuff, and pretty nice to get an eastern feel out of it because of that.
Looks solid! Only note I have as an onlooker is that on some of then you were really hammering the 1. That's good for keeping time, but I think the goal with these right hand drills is absolutely consistency on each stroke.
Awesome, thanks, Pebber! I started with the single plan just to try to get into the swing of things and not overdo anything, but very well may upgrade if I can keep up the pace.
Yeah man...tabla sneaks its way into a lot of stuff. Like, you'll be watching a movie with a jangly soundtrack and all the sudden be like, wtf, is that tabla in this?! It's pretty versatile.
But yeah, Indian is its whole own thing man. My two cents is that they are as comfortable with rhythm as we are with melody and harmony. So in other words, it's fairly normal for Western music to have pretty complex harmonies and melodic movements, but to us it's intuitive...it just feels right. But we rarely venture outside of of 2/4, 3/4 or 4/4. Indian music, on the other hand, tends to be pretty linear melodically, and has almost no harmony (save for the droning), but rhythmically gets very complicated very quickly, to the point that without serious training, you can't really count it. But to Indians, those rhythms are much more intuitive and natural.
That said, I admit to knowing very little! I'm just an outsider looking in and appreciate it. If you're interested at all, I would recommend Derek Trucks...he's a great gateway to go from Blues to Indian, haha. I don't know why but this forum doesn't like me posting the youtube link, but check out his song "Sahib Teri Bandi" live on YouTube.
Also, Ali Akbar Khan is where a lot of people start.
I have a friend who has played tabla for several years now (who coincidentally has hung out with Zakir a few times in NYC), and he's been walking me through the very basics of Konnakol. I've found it REALLY helpful for playing in the less-Western times (specifically 7 and 10 have been the hardest for me). I claim absolutely no real knowledge or practice of Indian classical which is it's own beautiful beast, but I for any guitarists struggling to get their head around weirder times, I highly recommend it.
I just got my first access to the lessons and wanted to clarify a few things--
1.) Right now I should only have access to all Module 1 videos, the first Module 2 video, all the Music Theory for Guitar videos, and all the Blues videos, nothing else.
2.) It seems the goal of these lessons is more or less to build up a practice routine over time that will grow to include all 7 Modules daily, but for now I should be focusing on tightening up the technique on the videos which I have access to (mostly Module 1 right now).
3.) If #2 is correct, does that mean that I should stay away from the Youtube videos so as to not get ahead of myself?
4.) From browsing the forum here it seems like the general attitude is that daily practice should consist of whatever I'm working through currently in these lessons, but also maintaining regular practice in my repertoire and improvisation as I go? (I know that's on the bible-sheet, but not until near the end).
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